![]() ![]() Whereas Ward’s previous novels were historical chillers set in remote corners of Britain, featuring young women traumatised by cursed families and social oppression, the new book looks at first like a contemporary American thriller. ![]() Buzz has been building for months around a dark, audacious highwire act of a novel that can be only tentatively described for risk of giving too much away. And there’s nothing else quite like it, that fear in the dark.”įear in the dark is what powered her 2015 gothic horror debut, Rawblood, the follow-up Little Eve, and now her breakout third book, The Last House on Needless Street, published on 18 March. “But it doesn’t matter whether it’s real or not the fear is real. I could feel that there was someone in the room.” Had Google been around in the early 1990s, she might have found out sooner about hypnagogic hallucinations, intensely real sensations on the border between wakefulness and sleep. W hen Catriona Ward was about 13, she’d wake up each night with a hand in the small of her back, pushing her out of bed. ![]()
0 Comments
Leave a Reply. |